It is said that nature is always filled with unique beauty. Everything that arouses admiration is found in nature. The movement of birds, the system of flower petals. Every single one is perfect, each one is unique. Creating your own models of your own uniqueness that mathematicians, geometrists, zoologists and botanists have uncovered is where Ecem Dilan Köse stands, and she tries to achieve it in a similar way in a different discipline. This is where breath-taking connection between generative art and traditional art of marbling begins.
Generative art is created by mathematical algorithms that were written by the artist. Role of the artist here is to create an autonomous system and define algorithms according to which the art is being created. The process is also similar in the art of marbling. You build the system as in generative art until the first drop of the paint touches the water you have prepared. From the moment you drop the paint, a composition is created within the system(in chaos) that is built. In generative art the beauty lies in building a system, a third force that dominates the artist and the work itself. The artist is "painting" the formula according to which a detail extends to numerous details and transforms into a completed piece of work. Unique characteristics of a piece are written in an algorithm. Some points where traditional Turkish marbling art is similar to generative art. The randomness that is expected to emerge, such as the fact that established systems are built on natural phenomena and that every moment created by the system is unique.

Ecem sees herself as a bridge between tradition and innovation. Humankind's journey through physical to digital needs guidance. She tries to be one of the pioneers that creates the bridge and uses it constantly to show other people that it is safe and useful. She uses Turkish marbling art as a tool to connect her ancestors cultural heritage. However her technique differs so that she has struggled to be accepted in Marbling community and seen as an outcast. Then she digitalizes the outputs she takes and disrupt the visuals with codes. The codes she uses mimic nature. Nature also disrupts its creations constantly, like how wind affects the ocean. This disruption generates new creations/visuals. That is what Ecem tries to achieve in cryptomarble series. Because she believes that our civilization is on the edge of the collapse, "we have damaged and keep damaging nature itself. The only way that point to coexist with nature mimicking its ways and becoming more like it."
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"I think the founding fathers of this technology oversaw the magic in nature, because it makes us believe in the force of our planet. Our generative art movement might be the closest one to nature after all. We believe we are bringing back the unbroken interaction from nature."